A twenty-minute opera, based on the comic of the same name, performed by Dewayne and four life-size sewn and stuffed “friends” – Gilda Radner, Limbo Tomboy, Gordon Gaskill, and The Great Auntie. At the center of this project is the longing for community, a family of lovers, each person attracted to the idea that one’s happiness depends on everyone else’s: an imagined queer community. How can we strongly imagine things we have never experienced, and use these yearnings, hopes, and desires as a political force?
Saturday, April 7, 2007
I Want to Know the Habits of Other Girls
Dewayne Slightweight
A twenty-minute opera, based on the comic of the same name, performed by Dewayne and four life-size sewn and stuffed “friends” – Gilda Radner, Limbo Tomboy, Gordon Gaskill, and The Great Auntie. At the center of this project is the longing for community, a family of lovers, each person attracted to the idea that one’s happiness depends on everyone else’s: an imagined queer community. How can we strongly imagine things we have never experienced, and use these yearnings, hopes, and desires as a political force?
A twenty-minute opera, based on the comic of the same name, performed by Dewayne and four life-size sewn and stuffed “friends” – Gilda Radner, Limbo Tomboy, Gordon Gaskill, and The Great Auntie. At the center of this project is the longing for community, a family of lovers, each person attracted to the idea that one’s happiness depends on everyone else’s: an imagined queer community. How can we strongly imagine things we have never experienced, and use these yearnings, hopes, and desires as a political force?
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